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An early hymn was Veni Creator Spiritus (Come, Creator Spirit), attributed to Rabanus Maurus who lived in the 9th century. [1] [2] It was used in the liturgy not only for Pentecost, but also for vespers between Ascension Day and Pentecost, and for occasions such as ordination and profession. [1] Many later hymns in different languages are based ...
Pages in category "Hymns for Pentecost" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. B.
A Collection of Hymns and a Liturgy: for the use of Evangelical Lutheran Churches, to which are added prayers for families and individuals (1834) [257] Church Hymn Book; consisting of hymns and psalms, original and selected. adapted to public worship and many other occasions (1838) [258] Church of the Lutheran Confession. The Lutheran Hymnal (1941)
"Come Down, O Love Divine" is a Christian hymn usually sung for the festival of Pentecost. It makes reference to the descent of the Holy Spirit as an invocation to God to come to into the soul of the believer. It is a popular piece of Anglican church music and is commonly sung to the tune "Down Ampney" by Ralph Vaughan Williams.
Further hymns, written as a direct result of specifically Pentecostal experiences, were also included, such as "Of gifts and powers miraculous" and "Blow Pentecostal breeze", both by Harold Horton Although revised as the New Redemption Hymnal in 1986, the original collection was republished in 2006 by Rickfords Hill Publishing.
Hymns such as Martin Luther's "Komm, Heiliger Geist, Herre Gott" (Come, Holy Spirit, God and Lord), [66] [67] Charles Wesley's "Spirit of Faith Come Down" [68] [69] and "Come Holy Ghost Our Hearts Inspire" [70] or Hildegard von Bingen's "O Holy Spirit Root of Life" [71] [72] are popular. Some traditional hymns of Pentecost make reference not ...
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A Choice Collection of Hymns and Tunes. It was used to describe a new style of church music, songs that were easy to grasp and more easily singable than the traditional church hymns, which came out of the mass revival movement starting with Dwight L. Moody, whose musician was Ira D. Sankey, as well as the Holiness–Pentecostal movement. [3]
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