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Fonthill Castle was the home of the archaeologist and tile maker Henry Chapman Mercer. Built between 1908 and 1912, it is an early example of poured-in-place concrete and features 44 rooms, over 200 windows, 18 fireplaces, 10 bathrooms and one powder room.
Fonthill, Mercer Museum and Moravian Pottery and Tile Works is a National Historic Landmark District located at Doylestown, Bucks County, Pennsylvania.It consists of three properties built by Henry Chapman Mercer (1856-1930) in a distinctive application of the principles of the Arts and Crafts movement, which are also notable for the early use of poured concrete: Fonthill, the Mercer Museum ...
The Bucks County Historical Society operates the Mercer Museum, the Research Library, and Fonthill Castle, the former home of the museum's founder, archeologist Henry Chapman Mercer. The museum was individually listed on the National Register of Historic Places in 1972, [ 1 ] and was later included in a National Historic Landmark District along ...
Henry Chapman Mercer (June 24, 1856 – March 9, 1930) [1] was an American archeologist, artifact collector, tile-maker, and designer of three distinctive poured concrete structures: Fonthill, his home; the Moravian Pottery and Tile Works; and the Mercer Museum.
The others include Fonthill, which is located on the same property and served as his home; and the Mercer Museum, located approximately one mile away. The Moravian Pottery and Tile Works offers workshops and an apprenticeship program to teach the art of handcrafting ceramic tiles and mosaics.
The castle has served as a convent, chapel, museum, chaplain's residence, and the college library. It later came to house the admissions office of the College of Mount Saint Vincent. [5] Fonthill is a Gothic Revival style building consisting of a cluster of six octagonal towers at varying heights, built of hammered grey stone. Five of the ...
Fonthill Abbey—also known as Beckford's Folly—was a large Gothic Revival country house built between 1796 and 1813 at Fonthill Gifford in Wiltshire, England, at the direction of William Thomas Beckford and architect James Wyatt.
The Fonthill sale precipitated William Hazlitt's scathing review of Beckford's taste for "idle rarities and curiosities or mechanical skill," fine bindings, bijouterie and highly finished paintings, "the quintessence and rectified spirit of still-life", republished in Hazlitt's Sketches of the Picture Galleries of England (1824), [21] and ...
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