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The origin of mourning and praying for the dead for 30 days can be traced back to the Old Testament, where the Jews mourned for Moses for 30 days according to Deuteronomy 34:8. The history of the "Thirty Mass" practice goes back to the year 590 A.D. in St. Andrew's Monastery in Rome, founded by Gregory the Great in his own family villa around 570.
At the time of the commission, he was working on an organ suite using themes from Gregorian chants. He incorporated his sketches for that work into the Requiem, which uses numerous themes from the Gregorian "Mass for the Dead". [3] Nearly all the thematic material in the work comes from chant. [3]
Requiem for Bishop Cirilo Almario, in the Mass of Paul VI at Minor Basilica and Cathedral of the Immaculate Conception, Malolos, Bulacan, 2016 The Requiem, in the Tridentine Mass, celebrated annually for Louis XVI and victims of the French Revolution, in the crypt of Strasbourg Cathedral, 2013 Requiem Mass for Archduke Franz Ferdinand of Austria at St. Catherine's Cathedral, St. Petersburg ...
For centuries settings of the Mass for the Dead were to be chanted in liturgical service monophonically. Later the settings became polyphonic, Victoria's famous 1605 a cappella work being an example. By Mozart's time (1791) it was standard to embed the dramatic and long Day of Wrath sequence, and to score with orchestra. Eventually many ...
"Libera me" ("Deliver me") is a responsory sung in the Office of the Dead in the Catholic Church, and at the absolution of the dead, a service of prayers for the dead said beside the coffin immediately after the Requiem Mass and before burial. The text asks God to have mercy upon the deceased person at the Last Judgment.
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
The Exsultet in a Polish church. The Exsultet (spelled in pre-1920 editions of the Roman Missal as Exultet), also known as the Easter Proclamation (Latin: Praeconium Paschale), [1] is a lengthy sung proclamation delivered before the paschal candle, ideally by a deacon, during the Easter Vigil in the Roman Rite of Mass.
The Song of the Sibyl (Catalan: El Cant de la Sibil·la [əl ˈkand də lə siˈβilːə]) is a liturgical drama and a Gregorian chant, the lyrics of which comprise a prophecy describing the Apocalypse, which has been performed in churches on Majorca (Balearic Islands, Spain) and Alghero (Sardinia, Italy), and some Catalan churches, in the Catalan language on Christmas Eve nearly ...
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