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[6] "Miss Delaney" is about a girl based in Seattle, Washington that helped McMahon through a rough period in his life; it has a theremin reminiscent of the one heard on the Beach Boys' "Good Vibrations". [42] [50] "Kill the Messenger" talks about leaving someone you care about as it's for the better. [44] "MFEO" is a two-part track—part one ...
It was originally recorded with their band, Delaney & Bonnie & Friends, in 1971 on the album Motel Shot. Released as a single by Atco Records the same year, "Never Ending Song of Love" became Delaney & Bonnie's greatest hit on the pop charts, reaching a peak of No. 13 on the Billboard Hot 100 [2] and No. 8 on Easy Listening. [3]
A Taste of Honey is the first play by the British dramatist Shelagh Delaney, written when she was 19.It was adapted into an award-winning film of the same title in 1961.. Set in Salford in North West England, it tells the story of Jo, a working class schoolgirl, and her mother, Helen, who is presented as tarty, foul mouthed and promiscuous.
"Only You Know and I Know" was recorded by Delaney & Bonnie in 1969 and released as a single in 1971. It reached the Top 20 in the U.S. and the Top 10 in Canada. [ 1 ] It was included on their album the following year, D&B Together .
Rita Coolidge came up with the song idea, based on observing the relationships of female groupies with rock stars in the late 1960s. [1]In its first recorded incarnation, the song was called "Groupie (Superstar)", and was released in December 1969 as the B-side of the Delaney & Bonnie single "Comin' Home".
Zip Goes a Million is a musical with a book and lyrics by Eric Maschwitz and music by George Posford, based on the 1902 novel Brewster's Millions. It premiered in London in 1951, starring George Formby , and ran for 544 performances.
Shelagh Delaney FRSL (/ ˈ ʃ iː l ə d ə ˈ l eɪ n iː /; 25 November 1938 [2] – 20 November 2011) [3] was an English dramatist and screenwriter. Her debut work, A Taste of Honey (1958), has been described by Michael Patterson as "probably the most performed play by a post-war British woman playwright".
When Pedro arrives to his new temporary home, June is dressed in an apron, and Pedro mistakes her for a servant. June does not take him out of his misconception, but continues to play along, telling him that Miss Delaney is away traveling. Since June knows nothing of the servant role, Pedro is soon very disappointed with her services.