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Oceania is generally considered the least decolonized region in the world. In his 1993 book France and the South Pacific since 1940, Robert Aldrich commented: . With the ending of the Trust Territory of the Pacific Islands, the Northern Mariana Islands became a 'commonwealth' of the United States, and the new republics of the Marshall Islands and the Federated States of Micronesia signed ...
The most famous Polynesian art forms are the Moai (statues) of Rapa Nui/Easter Island. Polynesian art is characteristically ornate, and often meant to contain supernatural power or mana. [15] Polynesian works of art were thought to contain spiritual power and could effect change in the world. [16]
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
Polynesian languages are all members of the family of Oceanic languages, a sub-branch of the Austronesian language family. Polynesian languages show a considerable degree of similarity. The vowels are generally the same—/a/, /e/, /i/, /o/, and /u/, pronounced as in Italian, Spanish, and German—and the consonants are always followed by a vowel.
Gilsemans produced a number of drawings that documented island and native life. His depictions of the Māori people were the first for Europeans. [1] [3] A sketcher and cartographer, he is thought to have been responsible for the coastal profiles in Tasman's journal and therefore the first European to make an image of Van Diemen's Land. [4]
An unfurling silver fern frond Koru kōwhaiwhai patterns on a rafter from the Ngāti Maru wharenui Hotunui The koru flag. The koru (Māori for 'loop or coil') [1] is a spiral shape evoking a newly unfurling frond from a silver fern frond. [2]
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The Taualuga is a traditional Samoan dance, considered the apex of Samoan performance art forms and the centerpiece of the Culture of Samoa.This dance form has been adopted and adapted throughout western Polynesia, most notably in Samoa, The Kingdom of Tonga, Uvea, Futuna, and Tokelau. [1]