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Show, don't tell is a narrative technique used in various kinds of texts to allow the reader to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. [1]
When significant or dramatic events are happening, dialogue can be written in direct quotation. Otherwise, speech can either be summarized as part of the narrative or written as indirect speech which is useful to get to the core of a scene. [2] In The Craft of Writing (1979), American writer of fantasy and science fiction William Sloane wrote:
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Prose discusses the question of whether writing can be taught. She answers the question by suggesting that although writing workshops can be helpful, the best way to learn to write is to read. Closely reading books, Prose studied word choice and sentence construction. Close reading helped her solve difficult obstacles in her own writing.
If a person has a medical condition, say just that, specifying the condition to the extent that is relevant and supported by appropriate sources. See Wikipedia:Manual of Style/Medicine-related articles § Careful language for more guidance on writing about medical conditions. Norms vary for expressions about disabilities and disabled people.
A word or short phrase in larger type used to break up long columns of text, often a fragment of a strong quote from the paragraph which follows. [2] curtain raiser A story written before a predicted event, setting the scene for when it happens. Such stories are often used at the start of election campaigns, sporting competitions, etc. [2] cutline
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Climax is frequently used in persuasion (particularly advertising) to create false dilemmas and to focus attention on the positive aspects of the subject at hand. The initial inferior options make the final term seem still better by comparison than it would appear in isolation: "X is good, Y is better, Z is best" is a standard format.