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Geometric designs in Islamic metalwork can form a grid decorated with these other motifs, or they can form the background pattern. [ 32 ] Even where metal objects such as bowls and dishes do not seem to have geometric decoration, still the designs, such as arabesques, are often set in octagonal compartments or arranged in concentric bands ...
Girih patterns can be created in a variety of ways, including the traditional straightedge and compass construction; the construction of a grid of polygons; and the use of a set of girih tiles with lines drawn on them: the lines form the pattern. Patterns may be elaborated by the use of two levels of design, as at the 1453 Darb-e Imam shrine.
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
Girih tiles are a set of five tiles that were used in the creation of Islamic geometric patterns using strapwork for decoration of buildings in Islamic architecture. They have been used since about the year 1200 and their arrangements found significant improvement starting with the Darb-i Imam shrine in Isfahan in Iran built in 1453.
The arabesques and geometric patterns of Islamic art are often said to arise from the Islamic view of the world (see above). The depiction of animals and people is generally discouraged, which explains the preference for abstract geometric patterns. There are two modes to arabesque art.
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Example of geometric pattern in the Bou Inania Madrasa of Fez. This example employs a fivefold geometric system with 10-pointed stars, while also adding visual diversity through colour. In western Islamic art, under the Nasrid and Marinid dynasties, a great variety of geometric patterns were created for architectural decoration.
To create a sharp pattern, weavers usually end each pattern element at a particular thread, winding the coloured weft threads back around the same warps, leaving a narrow gap or slit. These are prized by collectors for the crispness of their decoration. The motifs on kilims woven in this way are constrained to be somewhat angular and geometric. [2]