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Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) [nb 1] was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s. [2] His big band adaptation of the danzón-mambo proved to be a worldwide success with hits such as "Mambo No. 5", earning him the nickname "The King of the Mambo".
The album includes Prado's Mambo No. 5. In December 1950, Bob Goddard in the St. Louis Globe-Democrat described the album as "scorching" and concluded: "It's utterly impossible to sit still while any of this is going on." [1] In a 2024 ranking of the 600 greatest Latin American albums, Pérez Prado Plays Mucho Mambo for Dancing was ranked No ...
Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado.It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the guajeos typical of son cubano (also known as montunos).
All music and lyrics by Lou Bega, Zippy Davids, Frank Lio and Donald Fact, except: Track 1 – "Mambo No. 5 (A Little Bit Of...)": music by Pérez Prado, lyrics by Lou Bega and Zippy Davids; Track 4 – "Can I Tico Tico You": music by Zequinha Abreu, lyrics by Lou Bega, Zippy Davids, Frank Lio and Donald Fact. Vocals: Lou Bega (main performer)
Elisabeth Vincentelli from Entertainment Weekly rated the song with a B minus, adding, "All of a sudden, mambo is hot again, and the unlikely city of Munich is on the Latin-music map. For this we have to thank the Ugandan-Italian Bega and his German producing team, who have hit pay dirt by tacking new lyrics onto an old Pérez Prado song. While ...
The following article lists the monthly number-one songs on the Mexican Selecciones Musicales chart from January 1950 to December 1960. The source for these charts is the book Musicosas: manual del comentarista de radio y televisión by Roberto Ayala, who was the director of the Selecciones Musicales magazine.
It all percolates in the shadowy urban allure of Paul Guilhaume’s cinematography, especially as it plays across its leading ladies’ faces, turning skin into a mood palette, burnishing all the ...
It should only contain pages that are Pérez Prado songs or lists of Pérez Prado songs, as well as subcategories containing those things (themselves set categories). Topics about Pérez Prado songs in general should be placed in relevant topic categories .