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The Stone Breakers (French: Les Casseurs de pierres), also known as Stonebreakers, was an 1849 oil painting on canvas by the French painter Gustave Courbet. Now destroyed, the image remains an often-cited example of the artistic movement Realism.
It was the first of Courbet's imposing paintings of Ornans subjects; others include The Stone Breakers and A Burial at Ornans. [2] After Dinner at Ornans shows the influence of earlier French masters of genre painting such as Le Nain and Chardin. [3] Courbet exhibited it in the Salon of 1849, where it won a medal and was purchased by the state. [2]
Gustave Courbet, The Stone Breakers 1849, oil on canvas, first exhibited at the Paris Salon of 1850, destroyed during World War II. Considered to be the first of Courbet's great works, The Stone Breakers of 1849 is an example of social realism that caused a sensation when it was first exhibited at the Paris Salon in 1850. The work was based on ...
Category: Paintings by Gustave Courbet. ... (Courbet) The Source of the Loue; Still-Life with Fruit (Courbet) The Stone Breakers; W. The Wave (Courbet)
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A Burial at Ornans (French: Un enterrement à Ornans, also known as A Funeral at Ornans) is a painting of 1849–50 by Gustave Courbet. It is widely regarded as a major turning point in 19th-century French art. The painting records a funeral in Courbet's birthplace, the small town of Ornans.
Courbet first exhibited the work at the Paris Salon in April 1852 entitled The Village Maids give alms to a cowherd in a valley near Ornans.It was immediately bought by the duc de Morny despite a public and press polemic against the work – for example, the art critic Théophile Gautier expressesd reservations and felt the canvas was under-finished, [4] whilst Gustave Planche, Eugène Loudun ...
The Bathers is an oil-on-canvas painting by the French artist Gustave Courbet, first exhibited at the Paris Salon of 1853, where it caused a major scandal. It was unanimously attacked by art critics for the large nude woman at its centre and the sketchy landscape background, both against official artistic canons.