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Timothy Crispian Sallis (born 24 June 1959) is a British art director. He was nominated for three Academy Awards in the category Best Art Direction for the films Aliens, [2] Driving Miss Daisy [3] and Gladiator. [4] He is the son of actors Peter Sallis and Elaine Usher.
Usher married actor Peter Sallis at St. John's Wood Church in London on 9 February 1957. [3] [4] However, it was a turbulent relationship, Usher left Sallis sixteen times until they eventually divorced in 1965. [5] However, they eventually reconciled and continued to live together until 1999; Usher remained close to Sallis until her death in 2014.
Charles Sallis (1934–2024), Mississippi educator, textbook editor; Crispian Sallis (born 1959), British art director, son of Peter; James Sallis (born 1944), American writer; John Sallis (born 1938), American philosopher; Peter Sallis (1921–2017), English actor
Peter Lamont and Crispian Sallis: Nominated Best Film Editing: Ray Lovejoy: Nominated Best Original Score: James Horner Nominated Best Sound: Graham V. Hartstone, Nicolas Le Messurier, Michael A. Carter and Roy Charman: Nominated Best Sound Effects Editing: Don Sharpe: Won Best Visual Effects: Robert Skotak, Stan Winston, John Richardson and ...
Best Actor: Russell Crowe: Won Best Supporting Actor: Joaquin Phoenix: Nominated Best Original Screenplay: David Franzoni, John Logan and William Nicholson: Nominated Best Art Direction: Art Direction: Arthur Max; Set Decoration: Crispian Sallis: Nominated Best Cinematography: John Mathieson: Nominated Best Costume Design: Janty Yates: Won Best ...
Peter Sallis, who voiced Wallace in the "Wallace and Gromit" films, has died at 96. The British actor died "peacefully with his family by his side" on Friday, according to his agents.
By Crispian Balmer. ... Black actor Jurnee Smollett, who plays one of the FBI team tracking Mathews, said it was important that filmmakers continued to shine a light on deep-rooted U.S. racism.
Gilliam, Beecroft and set decorator Crispian Sallis went to several flea markets and salvage warehouses looking for materials to decorate the sets. [4] The majority of visual effects sequences were created by Peerless Camera Company, which Gilliam founded in the late 1970s with Kent Houston, the film's visual effects supervisor. [13]