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Physical art, as contrasted with conceptual art, refers to art that entirely exists in physical reality, in space and time. Its ontological status is that it is a physical object. The art is concretely realized but may be abstract in nature. For example, a painting, sculpture, or performance exists in the physical world.
Art and (aesthetic) mythology, according to Dewey, is an attempt to find light in a great darkness. Art appeals directly to sense and the sensuous imagination, and many aesthetic and religious experiences occur as the result of energy and material used to expand and intensify the experience of life.
The institutional theory of art is a theory about the nature of art that holds that an object can only become art in the context of the institution known as "the art world".
Elements of art are stylistic features that are included within an art piece to help the artist communicate. [1] The seven most common elements include line, shape, texture, form, space, color and value, with the additions of mark making, and materiality.
The term form can mean different things in visual art. Form suggests a three-dimensional object in space. It is also described as the physical nature of the artwork, such as sculptures. It can also be looked at as art form, which can be expressed through fine art.
In his work, The Ideal in Art (trans. by I. Durand), he proceeds in the manner of a botanist to determine a scale of characters in the physical and moral man. The degree of the universality or importance of a character, and of its beneficence or adaptation to the ends of life, determine the measure of its aesthetic value, and render the work of ...
Some art theorists and writers have long made a distinction between the physical qualities of an art object and its identity-status as an artwork. [8] For example, a painting by Rembrandt has a physical existence as an "oil painting on canvas" that is separate from its identity as a masterpiece "work of art" or the artist's magnum opus. [9]
Primitivism in art is usually regarded as a cultural phenomenon of Western art, yet the structure of primitivist idealism is in the art works of non-Western and anti-colonial artists. The nostalgia for an idealized past when humans lived in harmony with Nature is related to critiques of the negative cultural impact of Western modernity upon ...