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Midnight in the Garden of Good and Evil is a 1997 American crime drama film directed and produced by Clint Eastwood and starring John Cusack and Kevin Spacey.The screenplay by John Lee Hancock was based on John Berendt's 1994 book of the same name and follows the story of antiques dealer Jim Williams, on trial for the killing of a male prostitute who was his lover.
Tom Mix, an actor in Westerns, wearing a white hat. In American films of the Western genre between the 1920s and the 1940s, white hats were often worn by heroes and black hats by villains to symbolize the contrast in good versus evil. [1] The 1903 short film The Great Train Robbery was the first to apply this convention. [2]
White often represents purity or innocence in Western culture, [2] particularly as white clothing or objects, can be stained easily. In most Western countries white is the color worn by brides at weddings. Angels are typically depicted as clothed in white robes. In many Hollywood Westerns, bad cowboys wear black hats while the good ones wear white.
The transition to color started in earnest when NBC announced in May 1963 that a large majority of its 1964–65 TV season would be in color. [2] By late September 1964, the move to potential all-color programming was being seen as successful [3] and, on March 8, 1965, NBC confirmed that its 1965–66 season will be almost entirely in color. [4]
Fiend Without a Face is a 1958 independently made British black-and-white science fiction-horror film drama directed by Arthur Crabtree, and starring Marshall Thompson, Kynaston Reeves, Michael Balfour, and Kim Parker. [2] It was produced by John Croydon and Richard Gordon for Amalgamated Productions.
In the admirably bold, unconventionally self-aware new stage musical version of John Berendt’s 1994 blockbuster bestseller “Midnight in the Garden of Good and Evil,” transgender icon The ...
The “evil queens” of White Lotus, Season 2. (Photo: Courtesy HBO/Warner Media)
While black-and-white cinematography is considered by many to be one of the essential attributes of classic noir, the color films Leave Her to Heaven (1945) and Niagara (1953) are routinely included in noir filmographies, while Slightly Scarlet (1956), Party Girl (1958), and Vertigo (1958) are classified as noir by varying numbers of critics. [198]
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