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"Don't Tell Me the Time" is a song by American singer-songwriter Martha Davis, which was released in 1987 as the lead single from her debut solo studio album Policy. The song was written by Davis and produced by Richie Zito. "Don't Tell Me the Time" peaked at number 80 on the US Billboard Hot 100 and number 8 on the Australian Kent Music Report ...
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"Then You Can Tell Me Goodbye" is a song written by John D. Loudermilk. It was first released in 1962 by Don Cherry, as a country song [1] and again as a doo-wop in 1967 by the group The Casinos on its album of the same name, and was a number 6 pop hit that year.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"Don't Tell Me" was based on the demo "Stop", written by Joe Henry, Madonna's brother-in-law.. After the critical and commercial success of her seventh studio album, Ray of Light (1998), Madonna had intended to embark on a concert tour in late 1999, but due to the delay of her film, The Next Best Thing (2000), the tour was cancelled. [1]
"Don't You (Forget About Me)" was played during the opening and closing credits of The Breakfast Club (1985). [16] It was included on the film's soundtrack. [17] [18] "Don't You (Forget About Me)" was released as a single in February 1985 in the United States and reached No. 1 on the Billboard Hot 100 [19] in May 1985. [20]
Don't Tell Me may refer to: "Don't Tell Me" (Avril Lavigne song), 2004 "Don't Tell Me" (Blancmange song), 1984 "Don't Tell Me" (Lee Ann Womack song), 1999 "Don't Tell Me" (Madonna song), 2000 "Don't Tell Me" (Ruel song), 2017 "Don't Tell Me (What Love Can Do)", a song by Van Halen, 1995 "Don't Tell Me", a song by Hoobastank from Every Man for ...
"Don't Tell Me" was given a positive reception from music critics and writers. Chuck Taylor of Billboard called its production "emotionally heart-wrenching." He also compares Womack's voice positively to that of Loretta Lynn and Tammy Wynette: "For her part, Womack does justice to the strength of the song by turning in a vocal performance that aches with longing and regret.