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Naotora: The Lady Warlord [1] (Japanese: おんな城主 直虎, Hepburn: Onna Jōshu Naotora) is a 2017 Japanese historical drama television series and the 56th NHK taiga drama. [2] It is written by Yoshiko Morishita and stars Ko Shibasaki as Ii Naotora .
The War Lord is a 1965 American drama historical film directed by Franklin J. Schaffner and starring Charlton Heston. The film, which concerns medieval warfare and culture in 11th-century Normandy , is an adaptation of the play The Lovers by Leslie Stevens .
The Warlords (投名狀), previously known as The Blood Brothers, is a 2007 Chinese–Hong Kong epic historical action film directed and co-produced by Peter Chan, starring Jet Li, Andy Lau, Takeshi Kaneshiro and Xu Jinglei. The film, set in China in the 1860s during the Taiping Rebellion, revolves
The Lady Eve is a 1941 American screwball comedy film written and directed by Preston Sturges and starring Barbara Stanwyck and Henry Fonda. [2] The film is based on a story by Monckton Hoffe about a mismatched couple who meet on board an ocean liner .
The film was in production from early January through late February 1950. Its working title was Visa but was changed to A Lady Without Passport soon after production wrapped. [2] Hedy Lamarr refused to appear in the film until MGM agreed to pay her $150,000 for her work. [3] The Florida scenes were originally intended to take place in a hotel.
The Lady Killer wasn't well-received by critics and audiences. [18] Audiences became warmer towards the film after its release on YouTube. [19] Bollywood Hungama rated the film 2/5 stars, criticising the screenplay of the second half with gaps and unexplained sequences in the narrative. However, the performances of Bhumi Pednekar, Priyanka Bose ...
The Lady is a 2011 British biographical film directed by Luc Besson, [6] starring Michelle Yeoh [7] as Aung San Suu Kyi and David Thewlis [8] as her late husband Michael Aris. [9] Yeoh called the film "a labour of love" but also confessed it had felt intimidating for her to play the Nobel laureate .
The Monthly Film Bulletin wrote: "That Lady not only lacks imagination, but remains tied to its literary origins all through, and sustains a remarkable amount of purposelessness and indecision; from the long early scene between Ana and the King (in which the dialogue is no more than an exchange of chunks of complicated plot detail) a pedestrian ...