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A Message Came to A Maiden Young [1]; Accept Almighty Father; Adeste Fideles; Adoramus te; Adoro te devote; Agnus Dei; All Glory, Laud and Honour; All of seeing, all of hearing
Harold Gleason and Warren Becker, Music in the Middle Ages and Renaissance (Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986. ISBN 0-89917-034-X; Lewis Lockwood, "Mass" The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
The concept of Mass derived from three sources: Bernstein's experience conducting at Robert F. Kennedy's funeral in 1968 in St. Patrick's Cathedral, Manhattan; the Beethoven bicentenary in Vienna in 1970; and a small piece "A Simple Song" he wrote for Franco Zeffirelli's 1972 film Brother Sun, Sister Moon before withdrawing from that project after three months during which time he worked with ...
In the Tridentine Mass the Introit is no longer the first text used in the Mass. In Low Mass , the priest reads it only after the Prayers at the Foot of the Altar . Until 1908, even in sung Mass the choir began the Introit only after the priest had begun those prayers, but Pope Pius X restored the old arrangement whereby the Introit accompanied ...
A procession in St. Louis Cathedral before a Pontifical High Mass (1903).. A processional hymn, opening hymn, or gathering hymn is a chant, hymn or other music sung during the Procession, usually at the start of a Christian service, although occasionally during the service itself.
These sections, the "proper" of the mass, change with the day and season according to the church calendar, or according to the special circumstances of the mass. The proper of the mass is usually not set to music in a mass itself, except in the case of a Requiem Mass, but may be the subject of motets or other musical
American composers of this music, with some of their most well known compositions, include: [15] Alexander Peloquin, 1918–1997. He composed the first Mass setting sung in English, and had over 150 published Masses and other pieces. Miguel del Aguila, b. 1957. Several Mass settings, Ave Maria, Salva me, Agnus Dei, Requiem Mass.
Almost all Catholic liturgical music composed before the middle of the 20th century, including thousands of settings of the ordinary of the mass (Gloria, Credo, Sanctus, Agnus Dei), the ordinary and proper of the Requiem mass, psalms, canticles (such as the Magnificat), antiphons, and motets. Famous examples include: