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Dabakan is derived from the word, dbak meaning to "hit, strike, or beat," meaning that the dabakan is something upon which you hit. Scholars also suggest that another clue is that the dabakan may have been an adaptation and enlargement of a pan-Arabic goblet drum , the dombak / tombak .
The culture takes its name from the deepest cultural layer found during the original excavation of the type site at Dadiwan. The remains of millet , pigs and dogs have been found in sites associated with the culture, which is itself defined by a thin-walled, cord-marked ceramic tradition sometimes referred to as Laoguantai.
For example, the late Qing textbook "Chinese History of the Present Dynasty" published in 1910 stated that "the history of our present dynasty is part of the history of China, that is, the most recent history in its whole history. China was founded as a country 5,000 years ago and has the longest history in the world. And its culture is the ...
Today, the existence of kulintang music is threatened by the influence of globalization, and the introduction of Western and foreign ideals into the region. [50] Younger generations would rather listen to American music, or bike in the streets with other children than spend time practicing and imitating on the traditional instruments of their ...
Map of the Chinese Han dynasty in 2 CE. Names of non-Chinese peoples and states have been purposely left with their Chinese names (e.g. Dayuan instead of Fergana; Gaogouli instead of Goguryeo) to reflect the fact that knowledge of participants in the Han world order comes almost exclusively from Chinese sources.
The Hakka (Chinese: 客家), sometimes also referred to as Hakka-speaking Chinese, [1] [3] or Hakka Chinese, [4] or Hakkas, are a southern Han Chinese subgroup whose principal settlements and ancestral homes are dispersed widely across the provinces of southern China and who speak a language that is closely related to Gan, a Han Chinese dialect spoken in Jiangxi province.
Despite the Indonesianization, the Hokkien surnames are still used today by the Chinese-Indonesian diaspora overseas (mostly in the Netherlands, Germany, and the United States)—usually by Chinese-Indonesians courageous enough during Suharto's regime to keep their Chinese names (e.g. Kwik Kian Gie; 郭建義)—or by those who couldn't afford ...
In present day China, the Sanxing and other Chinese folk deities continue to be perceived as powerful carrier of good fortune. [2] The Queen Mother of the West , Xi Wangmu, who is often figured in Chinese stories, is associated with symbols of longevity in Chinese arts as the peaches of immortality are believed to grow in her celestial peach ...