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His father Adolf Loos was a German stonemason who died when Loos was nine years old. [4] His mother, Marie Loos, was a sculptor who later carried on the masonry business after her husband's death. Young Adolf Loos had inherited his father's hearing impairment and was significantly handicapped by it throughout his life, contributing to his ...
He took as one of his examples the tattooing of the "Papuan" and the intense surface decorations of the objects about him—Loos says that, in the eyes of western culture, the Papuan has not evolved to the moral and civilized circumstances of modern man, who, should he tattoo himself, would either be considered a criminal or a degenerate. [4] [5]
The competition failed to produce a design that satisfied them, so in 1909 they gave the commission to Adolf Loos, who had been invited to submit a design but had not done so. The building was constructed by Pittel+Brausewetter , with Ernst Epstein as construction manager. However, although the city had accepted the plans, in 1910 the ...
This was the style for which Loos strove: a refined and intricate interior with a simple and nonthreatening exterior. [2]: 14 The Steiner house has a stucco façade like most of his other buildings but not without reason. Loos built his buildings with roughcast walls and used the stucco to form a protective skin over the bricks. Loos did not ...
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An account with more than 20,000 followers and nearly 4 million views of 12 videos with Hitler speeches, an outline of Hitler and text that states, “Growing up is realizing Who the villain ...
Loos's immediate and extended relations—the Beck, Hirsch, Turnowsky, and Kraus families—and her friends the Semlers were some of Adolf's first clients. They hired him to remodel apartment interiors in Plzeň and Vienna, and it was there that Adolf first began to open up the "interstitial spaces" between walls to create continuous rooms.