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The Psychopathology of Everyday Life. Everyday life is a key concept in cultural studies and is a specialized subject in the field of sociology.Some argue that, motivated by capitalism and industrialism's degrading effects on human existence and perception, writers and artists of the 19th century turned more towards self-reflection and the portrayal of everyday life represented in their ...
The Practice of Everyday Life begins by pointing out that while social science possesses the ability to study the traditions, language, symbols, art and articles of exchange that make up a culture, it lacks a formal means by which to examine the ways in which people reappropriate them in everyday situations.
The Revolution of Everyday Life (French: Traité de savoir-vivre à l’usage des jeunes générations) is a 1967 book by Raoul Vaneigem, Belgian author and onetime member of the Situationist International (1961–1970). The original title literally translates as, Treatise on How To Live for the Younger Generations.
Clarification demands that these theories provide a means to account for which compositional objects are included and which are excluded. One may include tables and, presumably, chairs, but what about the composition of the table and surrounding chairs? What characteristics of a collection of parts determine that they form a whole? [1]
Alltagsgeschichte developed from the social and political upheavals of the 1960s when new social movements began to mobilize with political and academic voices. [3] Its intention was to show the links between the ordinary "everyday" experiences of ordinary people in a society, and the broad social and political changes which occur in that society.
This is often characterized in the writing as attempts to understand taken-for-granted routines by which working definitions are socially produced. Ethnography as a method is a storied, careful, and systematic examination of the reality-generating mechanisms of everyday life (Coulon, 1995).
In common usage and linguistics, concision (also called conciseness, succinctness, [1] terseness, brevity, or laconicism) is a communication principle [2] of eliminating redundancy, [3] generally achieved by using as few words as possible in a sentence while preserving its meaning.
Zurbaran isolates the objects from one another – even the composition appears to be a conscious, though not excessively artificial arrangement. Against the dark background, the objects are completely static, and appear to be torn out of the context of everyday life. The human beings to whom they apparently belong have no place here.
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