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Kenny calls his studio The Cave, and beginning in March 2019, launched a YouTube series of the same name, in which he invites artists to rap 16-32 bars over a custom beat he creates during the video. Usually, the artists are people that he already has experience with, or, is already friends with. [ 12 ]
Clash ' s James Mellen calls the album "a half-hour of seamless and coherent soul-tinted arrangements, beautifully chopped up and spliced together in classic Kenny Beats fashion. With nods to G-funk, jazz and psychedelia, it not only works as a stunning homage to Blume's father, but also proof that [Beats] is a producer who can do it all."
Loudpvck is an electronic music project consisting of Kenny Beats (born Kenneth Blume III). [2] Originally a duo, the project also included Los Angeles-based DJ Ryan Marks until his departure in November 2017, citing his desire to work on other projects. [1]
Curry and Kenny Beats intentionally chose to have a lack of singles for the project. [7] Curry stated in a video interview, "there's no singles, like, the project is the single." Going along with this creative choice led the two to develop the concept of an accompanying short film for the project. [ 7 ]
Rico Nasty and Kenny Beats recorded the entirety of Anger Management within a five-day session in early 2019. [4] [5] On March 24, 2019, Rico Nasty announced the project on Instagram live and noted that it will "probably come out in April [2019]." On why she kept the project a secret from her fans, Rico Nasty said: "I want you guys to really ...
FM! is the third studio album by American rapper Vince Staples, released on November 2, 2018, through Blacksmith Records and Def Jam Recordings.The album is primarily produced by Kenny Beats, with further production by Hagler, Cubeatz and KillaGraham, and features guest vocals from Kamaiyah, E-40, Jay Rock, Kehlani, Earl Sweatshirt, Buddy and Tyga, among others.
In terms of musical genre, Mike Wass of Idolator noted that "Night Garden" "falls somewhere between alt-R&B and alt-pop." [6] Chris DeVille of Stereogum described Kenny Beats' production as "hard-hitting yet surprisingly low-key," [7] while David Renshaw of The Fader described the instrumental as a "low-slung beat" which Benee maintains by "keep[ing] things in a similarly downbeat mood as she ...
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