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  2. The Destruction of Sennacherib - Wikipedia

    en.wikipedia.org/wiki/The_Destruction_of_Sennacherib

    "The Destruction of Sennacherib" [2] is a poem by Lord Byron first published in 1815 in his Hebrew Melodies (in which it was titled The Destruction of Semnacherib). [3] The poem is based on the biblical account of the historical Assyrian siege of Jerusalem in 701 BC by Assyrian king Sennacherib, as described in 2 Kings 18–19, Isaiah 36–37.

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  4. Casey at the Bat - Wikipedia

    en.wikipedia.org/wiki/Casey_at_the_Bat

    As a work, the poem encapsulates much of the appeal of baseball, including the involvement of the crowd. It also has a fair amount of baseball jargon that can pose challenges for the uninitiated. This is the complete poem as it originally appeared in The Daily Examiner. After publication, various versions with minor changes were produced.

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  7. Composed upon Westminster Bridge, September 3, 1802

    en.wikipedia.org/wiki/Composed_upon_Westminster...

    The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation

  8. Nothing Gold Can Stay (poem) - Wikipedia

    en.wikipedia.org/wiki/Nothing_Gold_Can_Stay_(poem)

    Reading of "Nothing Gold Can Stay" "Nothing Gold Can Stay" is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [1] which earned Frost the 1924 Pulitzer Prize for Poetry. The poem lapsed into public domain in 2019. [2]

  9. The Old Vicarage, Grantchester - Wikipedia

    en.wikipedia.org/wiki/The_Old_Vicarage,_Grantchester

    The poem's references can be overly obscure because of the many specific Cambridgeshire locations (such as "Haslingfield and Coton") and English traditions to which the poem refers. Some, including George Orwell , have seen it as sentimentally nostalgic, [ 3 ] [ 4 ] while others have recognised its satiric and sometimes cruel humour.