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The tune, originally a Silesian folk song, and the German text were printed together for the first time in 1842 by Hoffmann von Fallersleben and Richter under the name Schönster Herr Jesu (Most beautiful Lord Jesus). [4] [5] It was arranged by Richard Storrs Willis for his collection Church Chorals and Choir Studies in 1850. [6]
Susanna and the Elders by Artemisia Gentileschi. Susanna (/ s u ˈ z æ n ə /; Hebrew: שׁוֹשַׁנָּה, Modern: Šōšanna, Tiberian: Šōšannā: "lily"), also called Susanna and the Elders, is a narrative included in the Book of Daniel (as chapter 13) by the Catholic Church, Oriental Orthodox Churches and Eastern Orthodox Churches.
Daniel's name means "God (El) is my judge". [9] While the best known Daniel is the hero of the Book of Daniel who interprets dreams and receives apocalyptic visions, the Bible also briefly mentions three other individuals of this name: The Book of Ezekiel (14:14, 14:20 and 28:3) refers to a legendary Daniel famed for wisdom and righteousness.
The overall theme of the Book of Daniel is God's sovereignty over history, [2] and the theme of the tales in chapters 1–6 is that God is sovereign over all earthly kings. [16] Daniel 1 introduces the fundamental question that runs through the entire book, how God may continue to work his plans when all seems lost. [12]
The seventy weeks prophecy is internally dated to "the first year of Darius son of Ahasuerus, by birth a Mede" (Daniel 9:1), [34] later referred to in the Book of Daniel as "Darius the Mede" (e.g. Daniel 11:1); [35] however, no such ruler is known to history and the widespread consensus among critical scholars is that he is a literary fiction. [36]
The narrative of Bel (Daniel 14:1–22) ridicules the worship of idols. The king asks Daniel, "You do not think Bel is a living god? Do you not see how much he eats and drinks every day?" [12] to which Daniel answers that the idol is made of clay covered by bronze and thus cannot eat or drink. Enraged, the king then demands that the seventy ...
The images in these manuscripts included the inscription "Jesus Christ, Ancient of Days," confirming that this was a way to identify Christ as pre-eternal with the God the Father. [9] Indeed, later, it was declared by the Russian Orthodox Church at the Great Synod of Moscow in 1667 that the Ancient of Days was the Son and not the Father. [10]
A Christian hymn in English, "How beautiful the sight", was written based on Psalm 133 by James Montgomery, sung to the tune Old Godric. [ 26 ] In 1571, David Aquinus composed a setting of Psalm 133 for four voices, setting the translation of the Bible by Martin Luther , "Siehe, wie fein und lieblich ist's" (See how fine and lovely it is). [ 27 ]
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