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The Rondo for Violin and Strings, D 438, is a composition in A major by Franz Schubert. He wrote the rondo in 1816. Like the roughly contemporary Adagio and Rondo concertante in F major, D 487 , the work is a concertante piece designed to highlight the skills of the violin soloist.
Asymptote for violin and string orchestra (1986) Tomás Marco. Violin Concerto (1971) Concierto del alma for violin and string orchestra (1987) Frank Martin. Violin Concerto (1950–51) Polyptyque, Concerto for Violin and Double String Orchestra (1973) Jean Martinon. Violin Concerto No. 2 (1958, rev. 1960) Bohuslav Martinů. Violin Concerto No ...
BWV 1050 – Brandenburg concerto no.5 in D major, for harpsichord, flute, violin and strings; BWV 1044 for harpsichord, violin, flute and strings in A minor, 1st and 3rd movements after his Prelude and Fugue in A minor for harpsichord, BWV 894 and second movement after the second movement from his trio sonata in D minor for organ, BWV 527
Wolfgang Amadeus Mozart's Rondo in B ♭ for Violin and Orchestra, K. 269/261a, likely was composed between 1775 and 1777 as a replacement finale for the Violin Concerto No. 1, K. 207. Like the Adagio in E and Rondo in C , the Rondo in B ♭ was requested by Italian violinist Antonio Brunetti and Mozart composed the new finale for that work.
The Adagio and Rondo Concertante (Adagio e Rondo concertante) in F major for piano quartet, D 487, was composed by Franz Schubert in 1816. A "brilliant" work designed as a display piece for the piano soloist, it is not only one of the few works the composer wrote in this style, but it is his first complete composition for piano and string ensemble, preceding the "Trout" Quintet" by three years.
Franz Schubert's Rondo in B minor for violin and piano, D 895 was composed in 1826. It was the first piece for violin and piano that Schubert had composed for almost a decade. It was written for the twenty-year-old Czech violinist Josef Slavik (who also commissioned Schubert's Fantasy in C, D 934 in 1827), and was first performed by Slavík ...
The violin solo enters and mimics the piano, and both instruments play together in harmony. After a short transition to F major filled with running passages and demanding arpeggios from both soli, the second theme begins. The violin has the melody while the piano plays a lyrical accompaniment figure.
The rondo was likely written for Italian violinist Antonio Brunetti, who is known to have also requested both the Adagio in E and Rondo in B ♭. The Rondo in C, however, was written years after the five numbered violin concertos. The work is scored for solo violin, two oboes, two horns in C, and strings.