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The poem on a gravestone at St Peter’s church, Wapley, England "Do not stand by my grave and weep" is the first line and popular title of the bereavement poem "Immortality", written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
Seven Sermons is a part of Jung's Red Book and can be described as its "summary revelation." [1] Seven Sermons is the only portion of the material contained in The Red Book manuscripts that Jung shared privately during his lifetime. [2] The Red Book was published posthumously in October 2009. [3]
The Complaint: or, Night-Thoughts on Life, Death, & Immortality, better known simply as Night-Thoughts, is a long poem by Edward Young published in nine parts (or "nights") between 1742 and 1745. It was illustrated with notable engravings by William Blake .
Man and His Symbols is the last work undertaken by Carl Jung before his death in 1961. First published in 1964, it is divided into five parts, four of which were written by associates of Jung: Marie-Louise von Franz, Joseph L. Henderson, Aniela Jaffé, and Jolande Jacobi. The book, which contains numerous illustrations, seeks to provide a clear ...
The poem personifies Death as a gentleman caller who takes a leisurely carriage ride with the poet to her grave. She also personifies immortality. [2] [better source needed] A volta, or turn, occurs in the fourth stanza. Structurally, the syllables shift from its regular 8-6-8-6 scheme to 6-8-8-6.
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Jung's observations overlap to an extent with Freud's model of the unconscious, what Jung called the "personal unconscious", but his hypothesis is more about a process than a static model, and he also proposed the existence of a second, overarching form of the unconscious beyond the personal, that he named the psychoid—a term borrowed from ...
The poem is a reconsideration of the idea that poetry can immortalize the young man. The previous sonnets in the Rival Poet group have hinted at retaliation for the young man's disloyal preference for another poet, and in this poem retaliation becomes activated as the sonnet considers how the poet will write his friend's epitaph. [3]