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Notation of melody and chords for the hymn. [1]Agni Parthene (Greek: Ἁγνὴ Παρθένε), rendered "O Virgin Pure" or "O Pure Virgin", is a Greek Marian hymn composed by St. Nectarios of Aegina in the late 19th century, first published in print in his Theotokarion (Θεοτοκάριον, ἤτοι προσευχητάριον μικρόν) in 1905.
Ton Despotin is an acclamation chanted by the cantor or choir in honour of a bishop when he gives a blessing in the Eastern Orthodox and Byzantine Catholic churches. While the Divine Liturgy may be chanted in any language, Ton Despotin is almost always chanted in the original Greek. The words in Greek are:
Hence, several manuals of Orthodox Chant mentioned that the enharmonic use of intervals had been spread over all different genera (Chrysanthos discussed these differences within the genus as "chroa"), but several Phanariotes defined this general phenomenon by the use of the word "harmony" (ἁρμονία) which was the Greek term for music and ...
Procession of the Epitaphion after chanting the Epitaphios Thrinos in Corfu in 2014. The verses of these Lamentations are interspersed between the verses of Psalm 118 (the chanting of this psalm forms a major part of the Orthodox funeral service as well as being a usual part of Saturday Matins).
Znamenny Chant (Russian: знаменное пение, знаменный распев) is a singing tradition used by some in the Russian Eastern Orthodox Church. Znamenny Chant is a unison , melismatic liturgical singing that has its own specific notation, called the stolp notation.
Leontovych completed the liturgy in February 1919 and conducted the debut performance of the work on May 19 of the same year in the Mykolaiv Cathedral in the Kyiv Pechersk Lavra, (a cathedral dedicated to the founding of the first parish of the Ukrainian Autocephalous Orthodox Church).
English transliteration English translation Part of the liturgy 1: Аминь. Господи помилуй: Amin. Gospodi pomilui: Amen. Lord have mercy: After the exclamation "Blessed is the Kingdom" 2: Слава: Единородный Сыне: Slava: Edinorodniy Syne: Glory to the Only-Begotten Son: After the Second Antiphon 3
Kievan chant, or chant in Kyivan style (Russian: Киевский распев, romanized: Kievskiy raspev; Ukrainian: Київський розспів, romanized: Kyïvs'kyy rozspiv), is one of the liturgical chants common to the Russian Orthodox Church, the Ukrainian Orthodox Church and those churches that have their roots in the Moscow Patriarchate, such as the Orthodox Church in America.