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Retracted articles are not removed from the published literature but marked as retracted. In some cases it may be necessary to remove an article from publication, such as when the article is clearly defamatory, violates personal privacy, is the subject of a court order, or might pose a serious health risk to the general public. [1]
Statements consisting only of original research should be removed. ( February 2008 ) ( Learn how and when to remove this message ) Lifestyle gurus , also known as lifestyle coaches, trainers, or consultants, work with individuals to help them make lifestyle changes aimed at improving their overall well-being and happiness.
His credibility as a witness was also questioned, based on his prior felony conviction for lying to the FBI during an art fraud investigation. Although the defendants were found liable for trespass, conversion, and negligence, the jury awarded the artist $120,000 for only four undisclosed, unnamed works of art from over 4,000.
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The sharing of postprints (the last version of an article after peer review but before copyright is transferred to a publisher) has become increasingly permitted by academic journal publishers, typically after an embargo of 6-18 months. Journal policies are consolidated in the SHERPA/RoMEO database. [2]
Art Journal, established in New York City in 1941, is a publication of the College Art Association of America (referred to as "CAA"). [1] As a peer-reviewed, professionally moderated scholarly journal, its concentrations include: art practice, art production, art making, art history, visual studies, art theory, and art criticism. The main ...
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
In their study, Mora, Mora, and Philippot cite four reasons for the "over-use" of detachment: the 19th-century division of the arts that privileged a "painting" divorced from its architectural and historical context; insensitivity to the aesthetic consequences, often partially concealed by restorers; the curiosity of art historians looking for sinopie; or perceived savings relating to the ...