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Foucault also describes genealogy as a particular investigation into those elements which "we tend to feel [are] without history". [6] This would include things such as sexuality, and other elements of everyday life. Genealogy is not the search for origins, and is not the construction of a linear development. Instead, it seeks to show the ...
Foucault was also interested in psychology and he attended Daniel Lagache's lectures at the University of Paris, where he obtained a B.A. (licence) in psychology in 1949 and a Specialist Diploma in Psychopathology (Diplôme de psychopathologie) from the university's institute of psychology (now called the Institut de psychologie de l ...
Foucault presents the hypothesis that, in every society, the production of discourses is controlled with the aim of: 1. exorcising its powers and dangers; 2. reducing the force of uncontrollable events; 3. hide the real forces that materialize the social constitution. To this end, he theorizes that external or internal procedures are used. [9]
Foucault's genealogy comes into play here where Foucault tries to build a bridge between two theoretical notions: disciplinary power (disciplinary institutions) and biopower. He investigates the constant shift throughout history between these two ' paradigms ,' and what developments-from these two 'paradigms' became new subjects.
The Birth of the Clinic: An Archaeology of Medical Perception (Naissance de la clinique: une archéologie du regard médical, 1963), by Michel Foucault, presents the development of la clinique, the teaching hospital, as a medical institution, identifies and describes the concept of Le regard médical (lit.
The Hermeneutics of the Subject is a lecture course originally given by the French philosopher and historian Michel Foucault at the Collège de France in the years 1981–1982. The course details Foucault's elaboration of such concepts as "practices of the self" and the " care of the self ", as manifested in what Foucault refers to as their ...
Foucault's introduction to the epistemic origins of the human sciences is a forensic analysis of the painting Las Meninas (The Ladies-in-waiting, 1656), by Diego Velázquez, as an objet d'art. [6] For the detailed descriptions, Foucault uses language that is "neither prescribed by, nor filtered through the various texts of art-historical ...
In this set of lectures, Foucault presents how feeling obligated to tell the truth about yourself has changed throughout history. [1] For scholars of law, society , and crime , these lectures provide a distinct historical perspective regarding the different methods used in legal settings to find important truths .