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Like many folk songs, "The House of the Rising Sun" is of uncertain authorship. Musicologists say that it is based on the tradition of broadside ballads, and thematically it has some resemblance to the 16th-century ballad "The Unfortunate Rake" (also cited as source material for "St. James Infirmary Blues"), yet there is no evidence suggesting that there is any direct relation. [4]
Frijid Pink is an American rock band, formed in Detroit in 1967, best known for their 1969 rendition of "House of the Rising Sun". [3]The initial line-up of the band included drummer Richard Stevers, guitarist Gary Ray Thompson, bassist Tom Harris, lead singer Tom Beaudry (aka Kelly Green), and later added Larry Zelanka as off-staff keyboardist.
House of Suns concerns the Gentian Line, also known as the House of Flowers, composed of Abigail Gentian and her 999 clones (or "shatterlings"), male and female: exactly which of the 1,000 shatterlings is the original Abigail Gentian is unknown. The clones and Abigail travel the Milky Way Galaxy, helping young civilizations, collecting ...
Piano Lessons is a 2009 award-winning non-fiction book by Australian classical pianist Anna Goldsworthy. In Piano Lessons , Goldsworthy documents her piano study from a young age under the Russian emigre Eleonora Sivan .
The House of the Rising Sun" is an American folk song. House of the Rising Sun may also refer to: House of the Rising Sun (Jody Miller album), a 1974 album by American singer Jody Miller; House of the Rising Sun (Idris Muhammad album), a 1976 album by American jazz drummer Idris Muhammad
Her piano playing was strongly influenced by baroque and classical music, especially Johann Sebastian Bach, [2] [3] and accompanied expressive, jazz-like singing in her contralto voice. [ 4 ] [ 5 ] The sixth of eight children born into a poor family in North Carolina , Simone initially aspired to be a concert pianist . [ 6 ]
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle . Wilson began writing this play by playing with the various answers regarding the possibility of "acquir[ing] a sense of self-worth by denying one's past". [ 1 ]
Idris Muhammad - drums; Will Lee, Wilbur Bascomb - bass; Eric Gale - guitar, bass; Joe Beck - guitar; Fred Wesley - trombone; Leon Pendarvis, Don Grolnick, Roland Hanna - piano; David Sanborn - alto saxophone
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