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Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
In their 1970 book “Silk-Screen Printing for Artists & Craftsmen”, Mathilda V. and James A. Schwalbach wrote that a “major force in the development of serigraphy as a fine art was the formation in 1940 of the National Serigraph Society.
In 1939, Velonis, Warsager and other artists co-founded the Creative Printmakers Group in New York City. [20] [21] About this group, Sylvie Covey wrote in Modern Printmaking: A Guide to Traditional and Digital Techniques: "The group's shared screen-printing studio introduced the silkscreen process to many serious artists who went there to have editions printed.
Art historian Mary Francey wrote, "The demand for the two instructional manuals Velonis wrote that described the process in detail was so great that mimeographed copies were made available to artists nationwide. Because it required simple, inexpensive equipment, screen printing had immediate and widespread appeal.
The same year he also joined with former members of the unit to form an organization called the Silk Screen Group to promote and exhibit screen print works of art. [44] In 1944 the Silk Screen Group renamed itself the National Serigraph Society. [45] Shokler served as the society's president twice during its early years. [32]
The term usually refers to the arts that rely more on line, color or tone, especially drawing and the various forms of engraving; [2] it is sometimes understood to refer specifically to drawing and the various printmaking processes, [2] such as line engraving, aquatint, drypoint, etching, mezzotint, monotype, lithography, and screen printing ...
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