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The kore statue had two main purposes. Korai were used as votive offerings to deities, mainly goddesses such as Athena and Artemis. [5] Both men and women offered the kore statues. [12] Korai not only acted as an offering to a deity, but could be used to show off economic and social standing within a polis. How elaborate the statue was, varied.
The kore statues depict young, clothed female figures, in contrast to their male counterparts, the kouros figures, which are presented as muscular nude males. [ 11 ] In 1975, the Museum of Classical Archaeology, Cambridge attempted to replicate the sculpture’s original appearance by painting a cast of the figure. [ 12 ]
The bilaterally symmetric statue, symbolizing order and control in the pharaoh, is the same on either side of the vertical axis of the statue, only differing in Khafre's clenched right fist. [citation needed] The tight profile and block-like aspect represent Khafre as a permanent being and part of the stone to keep his ka safe. Khafre will ...
The Phrasikleia and the Attic korai are the most well-preserved statues in existence from the 6th century BCE. They represent a type of Archaic female statue intended specifically for funerary use. [2] The Phrasikleia Kore is a Parian marble statue that features prominent polychromy [2] as seen in the hair and the dress.
Of the twelve statues found, ten are male and two are female. Eight of the figures are made from gypsum, two from limestone, and one (the smallest) from alabaster. [4]: 57–59 All the figures, with the exception of one that is kneeling, are rendered in a standing position. Thin circular bases were used as supports and large wedge shaped feet ...
The Vatican Apoxyomenos by Lysippus, in the Museo Pio-Clementino, found in Trastevere, 1849.Height: 2.05 metres (6 feet 9 inches) Apoxyomenos (Greek: Αποξυόμενος, plural apoxyomenoi: [1] the "Scraper") is one of the conventional subjects of ancient Greek votive sculpture; it represents an athlete, caught in the familiar act of scraping sweat and dust from his body with the small ...
The smaller figure before "restoration" The two Knossos snake goddess figurines were found by Evans's excavators in one of a group of stone-lined and lidded cists Evans called the "Temple Repositories", since they contained a variety of objects that were presumably no longer required for use, [5] perhaps after a fire. [6]
The ʿAin Ghazal Statues are today part of the collections of The Jordan Museum in Amman, with some also on display at the Amman Citadel's Jordan Archaeological Museum, while a few have been loaned to foreign museums: one statue is in the Louvre Museum in Paris; parts of three other statues can be seen at the British Museum in London; [9] and ...