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SongMeanings is a music website that encourages users to discuss and comment on the underlying meanings and messages of individual songs. [ 1 ] [ 2 ] [ 3 ] As of May 2015, the website contains over 110,000 artists, 1,000,000 lyrics, 14,000 albums, and 530,000 members.
Global models are further distinguished as analysis by traits, which "identify the presence or absence of a particular variable, and makes a collective image of the song, genre, or style being considered by means of a table, or classificatory analysis, which sorts phenomena into classes," one example being "trait listing" by Helen Roberts, [36 ...
"‘Fortnight’ is a song that exhibits a lot of the common themes that run throughout this album. One of which being fatalism — longing, pining away, lost dreams," she explained in the Amazon ...
"Hallelujah" by Leonard Cohen includes another example of word painting. In the line "It goes like this, the fourth, the fifth, the minor fall and the major lift, the baffled king composing hallelujah," the lyrics signify the song's chord progression. [8] Justin Timberlake's song "What Goes Around" is another popular example of text painting ...
Zum Gali Gali (Hebrew: זום גלי גלי) is an Israeli folk song associated with the Kibbutz, Israel's collective agricultural communities. The song is sometimes referred to by the title Israeli Work Song and is known for its rhythmic style. The song begins with the repeated refrain ("zum gali gali") before proceeding to the verses. [1]
A mondegreen (/ ˈ m ɒ n d ɪ ˌ ɡ r iː n / ⓘ) is a mishearing or misinterpretation of a phrase in a way that gives it a new meaning. [1] Mondegreens are most often created by a person listening to a poem or a song; the listener, being unable to hear a lyric clearly, substitutes words that sound similar and make some kind of sense.
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent: