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It is the only Jam album to be co-produced by the band themselves, and contains the only album track co-written by the entire band, "Music for the Last Couple". [1] The cover art is a pastiche of the artwork used on various Sound Effects records produced by the BBC during the 1970s. Jam frontman Paul Weller has opined that Sound Affects is the ...
The Sound of the Jam is a compilation album and the fifth greatest hits album by the group The Jam, released to mark their twenty-fifth anniversary.It contains a remixed version of 'That's Entertainment', featuring only the guitars and vocals of the demo version; and without the bass, drums and percussion.
Written by Paul Weller and produced by Vic Coppersmith-Heaven and the Jam, "Start!" was the lead single from the band's fifth album Sound Affects. The single's B-side is "Liza Radley". "Start!" is based on both the main guitar riff and bass riff of the Beatles' 1966 song "Taxman" from the album Revolver, written by George Harrison. [5] "
Around this time, the Jam slimmed their team of two producers to one, Vic Coppersmith-Heaven, who helped develop the group's sound. [29] In 1978, the Jam released their third LP, All Mod Cons, which included three previously released tracks among the 12 in total: "David Watts", "'A' Bomb In Wardour Street", and "Down in the Tube Station at ...
The Gift is the sixth and final studio album by the English rock band the Jam. It was originally released on 12 March 1982 by Polydor as the follow-up to the Jam's critically and commercially successful studio album Sound Affects (1980). The songs were largely recorded during 1981 to 1982, at George Martin's AIR Studios, assisted by Peter Wilson.
It should only contain pages that are The Jam albums or lists of The Jam albums, ... Snap! (album) Sound Affects; The Sound of the Jam; T. This Is the Modern World; V.
All Mod Cons is the third studio album by the British band the Jam, released in 1978 by Polydor Records.The title, a British idiom one might find in housing advertisements, is short for "all modern conveniences" and is a pun on the band's association with the mod revival.
The song begins as a studio jam between drummer Rick Buckler and bassist Bruce Foxton, with Paul Weller's contribution coming later. The song does not appear on any of the band's studio albums. In the US, it appeared on the five-track EP The Jam (Polydor PX-1-503), which peaked at No. 176 on the Billboard 200 album chart.