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Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
"Night-Shining White" (Chinese: 照夜白圖) is a monochrome ink-on-paper painting by the Chinese artist Han Gan. It is an example of Tang dynasty painting, created in the middle of the 8th century (circa 750). The work depicts a cavalry horse owned by the Emperor Xuanzong (reign 712–56) of the Tang dynasty, tethered to a post. It is ...
Han Gan (simplified Chinese: 韩干; traditional Chinese: 韓幹) (c. 706 –783) was a Chinese painter during the Tang dynasty. [ 1 ] Man herding horses Night-Shining White , portrait of a favorite steed of Emperor Xuanzong
The presence of horses in Chinese art was particularly notable during the Tang dynasty, when many masterpieces prominently featured these animals. Noteworthy examples include the famous Flying Horse of Gansu [16] and the Six Steeds of Zhao Mausoleum. The horse emerged as a distinct artistic subject early in Chinese history. [17]
Chinese Painting. Geneva: Albert Skira, 1960. Fong, Wen (1973). Sung and Yuan paintings. New York: The Metropolitan Museum of Art. ISBN 978-0870990847. Fully online from the MMA; Liu, Shi-yee (2007). Straddling East and West: Lin Yutang, a modern literatus: the Lin Yutang family collection of Chinese painting and calligraphy. New York: The ...
His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses. His landscapes are also considered to be done in a style that focuses more on a literal ...
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The horses represented are of a finer, more dashing and less round model than those of the Castiglione's Ten Couriers. [7] These paintings feature inscriptions in Chinese, Manchurian, Mongolian and Uyghur, indicating the name, height and length of the horses. [5] Taken individually, these inscriptions seem to be just translations of one another ...
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