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Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
Battle of Orsha (painting) The Battle of San Romano; The Battle of Taillebourg, 21 July 1242; The Battle of the Amazons (Rubens) Before the Race; The Bewitched Man; Big Rocking Horse; The Black Brunswicker; Black Horses (Grandma Moses) Blackie (American horse) Blessed Be the Host of the King of Heaven; The Blind Girl; Blue Horse I; Blue Horses ...
[7] [8] This style of cropping was uncommon in painting in general before the invention of photography. Degas has also been suggested to have taken influences from English paintings when painting At the Races in the Countryside. The green coloring of the painting is suggestive of an influence from English horse racing scenes. [9]
Like many of Stubbs's other paintings of horses and other animals in the wild, including several versions of a horse attacked by a lion perched on its back, the painting is an early intimation of Romanticism, as well as a challenge to the lowly place animal painting occupied in the hierarchy of genres. [8]
The paintings of Giuseppe Castiglione show the bodies of horses in full, their manes being of a different color from the body. [4] He represented them from different angles, [4] suggesting movement through the lifting of the limbs. [7] He also indicated a light source to attenuate the tints, and thus give the horses a volumetric effect. [4]
Later he and Richards traveled to the Holy Land where he painted horses, Damascus, Syria cattle, the Dead Sea and the bazaar of Damascus while Richards bought Arabian horses. Bethany College, West Virginia, retains copies of some of these paintings. [2] In 1869, Troye moved his family to a 700-acre (2.8 km 2) cotton plantation in Madison County ...
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