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Galateo: The Rules of Polite Behavior (Il Galateo, overo de' costumi) [nb 1] by Florentine Giovanni della Casa (1503–56) was published in Venice in 1558. A guide to what one should do and avoid in ordinary social life, this courtesy book of the Renaissance explores subjects such as dress, table manners, and conversation. It became so popular ...
There's books now on general etiquette, but also table manners, weddings, hard conversations, manners for kids, and so much more. So, if you'd like to understand modern manners, here's a guide to ...
Table manners are the rules of etiquette used while eating and drinking together, ... There is a section on table etiquette in the deuterocanonical Book of Sirach, [1
Frankenstein; or, The Modern Prometheus is an 1818 Gothic novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously ...
A close friend of Percy Bysshe Shelley, a line from the poem, "very poetry of nature", II.47, is quoted in the 1818 edition of Frankenstein and cited as "Leigh Hunt's Rimini" in Volume 3, Chapter 1. In the 1831 edition, however, the line is quoted in Chapter 18 but there is no attribution.
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
Percy Bysshe Shelley's edits, additions, and emendations in a draft of Frankenstein in darker ink in his handwriting. Bodleian. Oxford. Authors have examined and investigated Percy Bysshe Shelley's scientific knowledge and experimentation, his two Gothic horror novels published in 1810 and 1811, his atheistic worldview, his antipathy to church and state, his 1818 Preface to Frankenstein, and ...
Presumption; or, the Fate of Frankenstein is an 1823 play in three acts by Richard Brinsley Peake loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. It is the first recorded theatrical adaptation of the novel [ 1 ] [ 2 ] [ 3 ] and had 37 performances during its original run.