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Left hand finger patterns, after George Bornoff First position fingerings. While beginning violin students often rely on tapes or markers placed on the fingerboard for correct placement of the left-hand fingers, more proficient and experienced players place their fingers on the right spots without such indications but from practice and experience.
Both ends of a violin string are effectively stationary, allowing for the creation of standing waves. A range of simultaneously produced harmonics each affect the timbre, but only the fundamental frequency is heard. The frequency of a note can be raised by the increasing the string's tension, or decreasing its length or mass. The number of ...
Z-transform analysis can be used to get the pitches and decay times of the harmonics more precisely, as explained in the 1983 paper that introduced the algorithm. A demonstration of the Karplus-Strong algorithm can be heard in the following Vorbis file. The algorithm used a loop gain of 0.98 with increasingly attenuating first order lowpass ...
Finger vibrato is vibrato produced on a string instrument by cyclic hand movements. Despite the name, normally the entire hand moves, and sometimes the entire upper arm. It can also refer to vibrato on some woodwind instruments, achieved by lowering one or more fingers over one of the uncovered holes in a trill-like manner.
Fourth movement (Allegro), bars 882–888, all four instruments play col legno battuto, col legno tratto, and col legno tratto ponticello, on single notes and in double stops, tremolo, and in harmonics (Schoenberg 1939, 101–102). String Trio, op. 45 (1946).
Sympathetic resonance or sympathetic vibration is a harmonic phenomenon wherein a passive string or vibratory body responds to external vibrations to which it has a harmonic likeness. [1] The classic example is demonstrated with two similarly-tuned tuning forks. When one fork is struck and held near the other, vibrations are induced in the ...
A harmonic is any member of the harmonic series, an ideal set of frequencies that are positive integer multiples of a common fundamental frequency. The fundamental is a harmonic because it is one times itself. A harmonic partial is any real partial component of a complex tone that matches (or nearly matches) an ideal harmonic. [3]
A pinch harmonic (also known as squelch picking, pick harmonic or squealy) is a guitar technique to achieve artificial harmonics in which the player's thumb or index finger on the picking hand slightly catches the string after it is picked, [10] canceling (silencing) the fundamental frequency of the string, and letting one of the overtones ...
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