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Ten Songs by Adam Again is a 1988 album by rock band Adam Again, released on Broken Records, their second release. Track listing
Clifton Avon "Cliff" Edwards (June 14, 1895 – July 17, 1971), nicknamed "Ukulele Ike", was an American musician and actor.He enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop standards and novelty tunes.
Inspired by the Tahitian ukulele, there is the Motu Nui variant, from France, which has just four strings made from fishing line and the hole in the back is designed to produce a wah-wah effect. [citation needed] Mario Maccaferri invented an automatic chording device for the ukulele, called Chord Master.
"Down Again" is a song by Australian band the Superjesus. The song was released in August 1997 as the lead single from the band's debut studio album, Sumo (1998), and peaked at number 23 on the Australian ARIA Singles Chart. In January 1998, the song was ranked as number 14 in the Triple J Hottest 100, 1997. [2]
"Yet Again" is a song by American indie rock band Grizzly Bear, released as the second single from the band's fourth studio album, Shields (2012), on August 2, 2012. [1]The song features lead vocals from Ed Droste, and is one of two tracks to appear on the album recorded in Marfa, Texas, during the band's initial sessions for Shields.
AWS (pronounced ah-vi-esh) is a Hungarian post-hardcore band formed in early November 2006 by Örs Siklósi (September 4, 1991 – February 5, 2021), Bence Brucker, Dániel Kökényes, Soma Schiszler and Áron Veress. Their music is characterized by diversity, powerful performances, and sudden changes, which utilizes metal, psychedelic rock ...
"Always There" is a 1975 song by Ronnie Laws and William Jeffrey from Laws' album Pressure Sensitive. After producer Wayne Henderson of The Crusaders enlisted lyricist Paul B Allen III to create a vocal version of the tune, officially making Allen a co-writer, it was re-recorded in 1976 by American R&B group Side Effect for their third album, What You Need.
Among Harrison's biographers, Simon Leng views All Things Must Pass as a "paradox of an album": as eager as Harrison was to break free from his identity as a Beatle, Leng suggests, many of the songs document the "Kafkaesque chain of events" of life within the band and so added to the "mythologized history" he was looking to escape. [309]