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Francesca Stern Woodman (April 3, 1958 – January 19, 1981) was an American photographer best known for her black and white pictures featuring either herself or female models. Many of her photographs show women, naked or clothed, blurred (due to movement and long exposure times), merging with their surroundings, or whose faces are obscured.
Hybrid crappie (Pomoxis annularis × nigromaculatus) have been cultured and occur naturally. [22] The crossing of a black crappie female and white crappie male has better survival and growth rates among offspring than the reciprocal cross does. [22] Hybrid crappie are difficult to distinguish from black crappie by appearance alone.
Prix Pictet, 2021 [5] Sally Mann (born Sally Turner Munger; May 1, 1951) [1] is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
Black crappie. The black crappie (Pomoxis nigromaculatus) is a freshwater fish found in North America, one of the two types of crappies. It is very similar to the white crappie (P. annularis) in size, shape, and habits, except that it is darker, with a pattern of black spots. Alternate names for the species include calico bass, speck, speckled ...
The dorsal fins of the white crappie start farther back on the body than those of the black crappie. The anal fin is about the same size as the dorsal fin. [7] The white crappie has six dorsal fin spines, whereas the black crappie has seven or eight dorsal fin spines. [7] White crappies are also slightly more elongated than black crappies. [8]
Monochrome photography. Monochrome photography is photography where each position on an image can record and show a different amount of light (value), but not a different color (hue). The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography.
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The expense of color film as compared to black-and-white and the difficulty of using it with indoor lighting combined to delay its widespread adoption by amateurs. In 1950, black-and-white snapshots were still the norm. By 1960, color was much more common but still tended to be reserved for travel photos and special occasions.