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A scripture index to CH4 is provided by George K. Barr, Selecting Hymns from CH4, no publisher, no ISBN, 2005. In February 2008 Canterbury Press released a version of CH4 for the wider church, called Hymns of Glory, Songs of Praise, featuring the same content as CH4 under a different cover. This has proved popular in some liberal Anglican ...
"Angels We Have Heard on High" is generally sung to the hymn tune "Gloria", a traditional French carol as arranged by Edward Shippen Barnes.Its most memorable feature is its chorus, "Gloria in excelsis Deo", where the "o" of "Gloria" is fluidly sustained through 16 notes of a rising and falling melismatic melodic sequence.
The hymn was first published in 1848 in Mrs Cecil Alexander's Hymns for Little Children. [1] It consists of a series of stanzas that elaborate upon the clause of the Apostles' Creed that describes God as "maker of heaven and earth", and has been described as asserting a creationist view of the natural world. [2] [3]
John Goss "Praise, my soul, the King of heaven" is a Christian hymn.Its text, which draws from Psalm 103, was written by Anglican divine Henry Francis Lyte. [1] First published in 1834, it endures in modern hymnals to a setting written by John Goss in 1868, and remains one of the most popular hymns in English-speaking denominations.
The text was first published in Hymns for Little Children (1848), and the profound but simple text reflects well on this original purpose. The hymn would become popular after its publication in the 1868 appendix to the first edition of Hymns Ancient and Modern, paired with the tune "Horsley". [2]
The has been and is published in more than fifty hymnbooks, including those of a number of significant denominations, such as the Church of England; [1] the United Church of Canada [1] and the Presbyterian Church in Canada (Book of Praise 1972 version, as Thy hand, O God, has guided; [2] and the current Book of Praise 1997 version, as Your hand, O God, has guided [3]); the Evangelical Lutheran ...
Hymns Ancient and Modern (1904) has 5 stanzas, The English Hymnal (1906) has 4, and The United Methodist Hymnal (1989), includes a 4-stanza version alongside the 12-stanza text. [1] In light of its length, some have argued that the text should be treated as a poem rather than a congregational hymn.
The text of "Come down, O Love divine" originated as an Italian poem, "Discendi amor santo" by the medieval mystic poet Bianco da Siena (1350-1399). The poem appeared in the 1851 collection Laudi Spirituali del Bianco da Siena of Telesforo Bini, and in 1861, the Anglo-Irish clergyman and writer Richard Frederick Littledale translated it into English.
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