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Comparison between tunings: Pythagorean, equal-tempered, quarter-comma meantone, and others.For each, the common origin is arbitrarily chosen as C. The degrees are arranged in the order or the cycle of fifths; as in each of these tunings except just intonation all fifths are of the same size, the tunings appear as straight lines, the slope indicating the relative tempering with respect to ...
For example, throughout the entirety of Wagner's Ring, the music written for the tenor role of Siegfried ranges from C ♯ 3 to C 5, but the tessitura is described as high because the phrases are most often in the range of C 4 to A 4. Furthermore, the tessitura concept addresses not merely a range of pitches but also the arrangement of those ...
A "15" below indicates a two-octave shift. These numbers may also be used above the clef to indicate pitches one or two octaves higher. A treble clef with an eight below is the most common version, typically used in music for guitar or tenor voice. Sometimes a shift of one octave up is indicated by drawing two clefs instead of one. On a 5-line ...
The consonance and dissonance of different intervals plays an important role in establishing the tonality of a piece or section in common practice music and popular music. For example, for a simple folk music song in the key of C Major, almost all of the triadic chords in the song will be Major or minor chords which are stable and consonant (e ...
Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration (audio frequency). [5] Pitch is closely related to frequency, but the two are not equivalent. Frequency is an objective, scientific attribute which can be measured.
# of pitch classes Lower tetrachord Upper tetrachord ... 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament:
Example of Z-relation on two pitch sets analyzable as or derivable from Z17, [1] with intervals between pitch classes labeled for ease of comparison between the two sets and their common interval vector, 212320. Musical set theory provides concepts for categorizing musical objects and describing their relationships.
In music, a sequence is the restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice. [1] It is one of the most common and simple methods of elaborating a melody in eighteenth and nineteenth century classical music [1] (Classical period and Romantic music). Characteristics of sequences: [1]