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John 15 is the fifteenth chapter in the Gospel of John in the New Testament section of the Christian Bible. It is part of what New Testament scholars have called the ' farewell discourse ' of Jesus. It has historically been a source of Christian teaching and Christological debate and reflection, and its images (particularly of Jesus as the vine ...
John 15:1–17 reads in the Douay–Rheims Bible: [15] I am the true vine; and my Father is the husbandman. Every branch in me, that beareth not fruit, he will take away: and every one that beareth fruit, he will purge it, that it may bring forth more fruit. Now you are clean by reason of the word, which I have spoken to you. Abide in me, and I ...
The holiday originated at a local level by Ladies' Memorial Associations to care for the graves of Confederate dead. [2] In 1866, General John A. Logan commanded the posts of Grand Army of the Republic to strew flowers on the graves of Union soldiers, which observance later became the national Memorial Day.
A capital in Toulouse shows the empty tomb with John peering in from behind a column, and raising his hand in astonishment. [12] The Resurrection was also referred to by showing typological parallels, such as Jonah and the Whale (which was supported by Matthew 12:38–41 and Luke 11:29–32 ), the Resurrection of Lazarus , and other Old ...
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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
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Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...