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African art describes modern and historical paintings, ... Contemporary African art was pioneered in the 1950s and 1960s in South Africa by artists like Irma Stern, ...
By the 1950s, the music industry had diversified greatly, and included several major labels. Innovative musician and composer, Charles Segal was the first white musician to work with the indigenous African people, recording tribal performers and promoting African music overseas starting in the 1950s.
The Black Arts Movement (BAM) was an African-American-led art movement that was active during the 1960s and 1970s. [3] Through activism and art, BAM created new cultural institutions and conveyed a message of black pride. [4]
In the 1950s and 1960s, few African-American artists were widely known or accepted. Despite this, the Highwaymen , a loose association of 26 African-American artists from Fort Pierce , Florida , created idyllic, quickly realized images of the Florida landscape and peddled some 200,000 of them from the trunks of their cars.
Mbaqanga (Zulu pronunciation: [mɓaˈǃáːŋga]) is a style of South African music with rural Zulu and Sotho-tshwana roots that continues to influence musicians worldwide today. The style originated in the early 1960s, and blends traditional South African vocal styles and melodies with European and American popular music.
Kwela is another sub-style under the umbrella of township music that is composed of traditional, marabi and American sing-jazz elements; it is also characterized as urban African penny whistle music of the 1950s, arising slightly after marabi music and popularized in Johannesburg, much like marabi. [2]
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage.
According to Ambrose Ehirim, a US-based Nigeria specialist, [7] township music dates to the 1950s when it was proscribed by South African police. [8] This has been contradicted by anti-apartheid activist/musician Johnny Clegg, [9] who has claimed that "by the 1960s, the development of mbaqanga hadn't even really started".
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