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Strand was particularly influential in her development of cropped, close-up images. She received unprecedented acceptance as a female artist from the fine art world due to her powerful graphic images. [6] Depictions of small flowers that fill the canvas suggest the immensity of nature and encourage viewers to looks at flowers differently. [2]
In common with most flower pieces from the last third of the 17th century, the colours of the flowers are much more carefully balanced than in the earlier pictures. [ 11 ] The symbolism of each flower was elaborately developed in the 17th century, but most of this concerned the introduction of a single flower into a Vanitas piece.
In 2014, O'Keeffe's 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000—at the time, by far the largest price paid for any painting by a female artist. [10] Her works are in the collections of several museums, and following her death, the Georgia O'Keeffe Museum was established in Santa Fe.
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Many contemporary Chinese women artists have employed the use of female bodies as the subject of their artworks. From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented.
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BwO, or Body without Organs is an idea introduced by Gilles Deleuze to describe a virtual body without stable structures. [citation needed] In her drawings, Su used the concept of pain to influence our organic sensory and to break down the establishment so as to demonstrate the state of "dis-organization". She described the body in an extremely ...
Female body shape or female figure is the cumulative product of a woman's bone structure along with the distribution of muscle and fat on the body. Female figures are typically narrower at the waist than at the bust and hips .