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Two dancers of Argentine tango on the street in Buenos Aires. Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. [1] It typically has a 2 4 or 4 4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC.
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay.The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. [1]
German Cornejo & Gisela Galeassi. Photo: Fuentes/Fernandez. German Cornejo & Gisela Galeassi are an Argentine tango dance duo. They have been dancing together since early 2011, currently dancing for German Cornejo's Dance Company [1] [2] (GCDC), performing as lead dancers for the company. , [3] Gisela and German won the title of World Tango Champions in 2003 and 2005, respectively, at the ...
In Argentina, the word Tango seems to have first been used in the 1890s. In 1902, the Teatro Opera started to include tango in their balls. [11] Initially tango was just one of the many dances practiced locally, but it soon became popular throughout society, as theatres and street barrel organs spread it from the suburbs to the working-class slums, which were packed with hundreds of thousands ...
"Most people would think the Argentine Tango is a very sexy, intimate, embracing moment between a man and a woman but this is going to be a dance between two males," Mark added. "There's going to ...
Argentine tango, however, makes extensive use of the cross system with dancers facing each other. In Argentine tango, the leader can change his weight from one foot to another while the follower's weight remains unchanged; this is the simplest method of changing from parallel system to cross system or vice versa. By contrast in ballroom tango ...
The reintroduction of democracy to Argentina led to a renaissance in Argentine Tango in which Copes and Nieves were leading figures. [10] Copes taught the style, which was later known as the "estilo Copes-Nieves," to many dancers and his pupils included Robert Duvall, Julio Bocca, Eleonora Cassano, Mikhail Baryshnikov and Liza Minnelli.
It refers only to the method of analysis and teaching developed through the application of the principles of dance kinesiology to Argentine tango. In 2009, Gustavo Naveira published an essay New Tango, in which he states: "There is great confusion on the question of the way of dancing the tango: call it technique, form, or style. The term Tango ...