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Yves Klein"International Klein Blue" (IKB) is a process registered in France on 19 May 1960 at the Institut national de la propriété industrielle (INPI) under Soleau envelope no. 63471 by the French artist Yves Klein. It combines ultramarine blue pigment with a very specific binder created with the help of a chemist.
IKB 79 is a painting by French artist Yves Klein, made in 1959. It is one of his monochrome series of around 200. It uses a shade of blue that he developed, International Klein Blue, based on the pigment ultramarine. The painting has the dimensions of 139.7 by 119.7 cm. It is held at the Tate Modern, in London. [1] [2]
Madder rose represents the Holy Spirit before the gold of the Father and the blue of the Son; gold for immortality and blue for sensibility..." [2] For creating La Rose du Bleu (RE 22), Klein used dry pigment and synthetic resin of the pink and blue colours, combined with the natural elements of marine sponges and pebbles, on a panel. The use ...
The song was inspired by Klein, particularly the titular International Klein Blue. The Manics' bassist and lyricist Nicky Wire told the Quietus ""There was a joy to 'International Blue' that we weren't sure we could convey any more, the feeling of being in love with something like Yves Klein, to pass on the joy of that colour and that vividness ...
In fact, 20th-century French artist Yves Klein loved the shade so much that he patented a version called International Klein Blue. Today, contemporary artists like Carlos Mercado and Alicia ...
Hiroshima, also known as ANT 79, is a painting by the French painter Yves Klein, created in 1961.Through the use of both anthropometry and monochromy, the work pays tribute to the victims of Hiroshima, affected by the atomic bomb dropped on August 6, 1945, by the United States.
ANT 82, Blue Age Anthropometry (original French title ANT 82, Anthropométrie de l'époque bleue) is a painting by French artist Yves Klein, created in 1960. Purchased in 1984, this work is part of the collection of the Musée National d'Art Moderne , in Paris .
Klein in his last months worked in creating the series of Fire-Color paintings, using fully wet female models, who he would direct about how to position themselves in a canvas, and whose wet silhouettes would be then marked by fire, with the use a flame-thrower, carried by the artist himself. [2] [3] Rotraut Klein-Moquay, his then wife, later ...