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Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
The instrument was also used in "Could You Be Loved" by Bob Marley and The Wailers, "Soul Bossa Nova" by Quincy Jones, "Bird of Beauty" by Stevie Wonder, and "Me and Julio Down by the Schoolyard" by Paul Simon. Along with samba, the cuíca is one of the mainly used Brazilian instruments in jazz-rock, free jazz, and Latin jazz. [5]
Apart from playing percussion, de Oliveira also provided vocals to "You Get It Up" from Chicago X (1976) and co-authored "Life Is What It Is" on Chicago 13 (1979). Parallel to Chicago, Oliveira continued to work as a session man. In 1978, he played with The Jacksons on their album Destiny.
1.2.1 Neo Samba and Neo-Bossa Nova additions. 1.2.2 Andean styles (Peru, Bolivia, South Ecuador, Argentina, Chile) ... Latin percussion is a family of percussion, ...
The metal cabasa was created by Martin Cohen, founder of Latin Percussion. This company has built a more durable cabasa that they call an afuche-cabasa (pictured). It provides a metallic, rattling sound when shaken or twisted, similar to the sound of a rattlesnake. It is often used in Latin jazz, especially in bossa nova pieces. Precise ...
The technique is also common in bossa nova, ska, reggae, and rocksteady. [2] In marching percussion, there are three types of rimshots. The most common is the "normal" rimshot, which is played with the tip (bead) of the stick held about three inches (about 8 cm) from the rim.
Sérgio Mendes, the Brazilian-born musician who brought bossa nova music to a global audience in the 1960s, died on Thursday, Sept. 5, in a Los Angeles hospital.He was 83. The renowned musician ...
Bossa nova stick pattern (Play ⓘ). The so-called "bossa nova clave" (or "Brazilian clave") has a similar rhythm to that of the son clave, but the second note on the two-side is delayed by one pulse (subdivision). The rhythm is typically played as a snare rim pattern in bossa nova music. The pattern is shown below in 2
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