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Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
1.2.1 Neo Samba and Neo-Bossa Nova additions. 1.2.2 Andean styles (Peru, Bolivia, South Ecuador, Argentina, Chile) ... Trap drums; Abakua and Arar ...
The body of the cuíca is normally made of metal, gourd or synthetic material. It has a single head, normally 6 to 10 inches (15 to 25 centimetres) in diameter, made of animal skin. A thin bamboo stick is attached to the center of, and perpendicular to, the drum head, extending into the drum's interior. The instrument is held under one arm at ...
Bossa Nova U.S.A. is a studio album released by the Dave Brubeck Quartet in 1963 by Columbia originally in the United States as LP record CS 8798 (stereo) and CL 1998 (mono) [2] and in England as SBPG 62127. [5] It was also released by CBS in Australia, as catalog SPB 233.038. [6]
The so-called "bossa nova clave" (or "Brazilian clave") is played on the snare rim of the drum kit in bossa nova. The pattern has a similar rhythm to that of the son clave, but the second note on the two-side is delayed by one pulse (subdivision). The pattern is shown below in 2/4, as it is written in Brazil.
It begins with a bossa nova drum groove in which a clave pattern is played as a rim click underneath a driving ride cymbal pattern. John Densmore appreciated the new bossa nova craze coming from Brazil at the time, and decided to use it in the song. [6] The track's musical style features influences from mambo music. [7]
Sérgio Mendes, the Brazilian-born musician who brought bossa nova music to a global audience in the 1960s, died on Thursday, Sept. 5, in a Los Angeles hospital.He was 83. The renowned musician ...
According to critic Richie Unterberger, "One Two Brown Eyes" "starts off with a bossa nova-like drum pattern" that is soon augmented with "a descending, circular bass pattern" that anchors the song and is repeated throughout its entirety. [19] For the recording, Harrison used a thimble to emulate the sound of a slide guitar. [20]
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