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Common motifs were ships, swords, harps and Romanesque vine leaf tracery with Celtic elements. [62] Surviving wood carving can be seen at King's College, Aberdeen and Dunblane Cathedral. [63] Two secular small chests with carved whalebone panels and metal fittings illustrate some aspects of the Scottish arts.
Celtic art has used a variety of styles and has shown influences from other cultures in their knotwork, spirals, key patterns, lettering, zoomorphics, plant forms and human figures. As the archaeologist Catherine Johns put it: "Common to Celtic art over a wide chronological and geographical span is an exquisite sense of balance in the layout ...
Surviving stone and wood carvings, wall paintings and tapestries suggest the richness of sixteenth century royal art. At Stirling Castle , stone carvings on the royal palace from the reign of James V are taken from German patterns, [ 31 ] and like the surviving carved oak portrait roundels from the King's Presence Chamber, known as the Stirling ...
The style is most commonly associated with the Celtic lands, but it was also practiced extensively in England and was exported to Europe by Irish and Northumbrian monastic activities on the continent. J. Romilly Allen has identified "eight elementary knots which form the basis of nearly all the interlaced patterns in Celtic decorative art". [4] [5]
Woodcarver at work Wood sculpture made by Alexander Grabovetskiy. Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object.
Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared elsewhere under Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.
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Sardinia is rich in cup-and-rings stones. The best known is the Perda Pintà (the 'painted stone', which is carved, not painted) or Stele di Boeli, [22] at Mamoiada: an impressive stele or menhir 2.67 metres (8 ft 9 in) high with various concentric circles patterns crossed by engraved channels and central cup-marks. [23]
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