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[15] [16] The Whitney Museum of American Art was founded in 1930; [17] at this time architect Noel L. Miller was converting three row houses on West 8th Street in Greenwich Village—one of which, 8 West 8th Street had been the location of the Studio Club—to be the museum's home, as well as a residence for Whitney. [18]
Black Male: Representations of Masculinity in Contemporary Art was a landmark [1] exhibition held at New York's Whitney Museum of American Art from November 10, 1994 until March 5, 1995. Organized by curator Thelma Golden , Black Male was a survey of the changing representations of black masculinity in contemporary art from the 1970s to the 1990s.
The American Century: Art and Culture 1900–1950. W.W. Norton in association with The Whitney Museum of American Art, New York, 1999. Edward Steichen. Whitney Museum of American Art, New York, 2000. Elie Nadelman: Sculptor of Modern Life. Whitney Museum of American Art, New York, 2003. Oscar Bluemner: A Passion for Color. Whitney Museum of ...
CLICKISTANv by Ubermorgen.com – online game, Whitney Museum of American Art (12/12 – present) Eduardo Kac: Lagoglyphs, Biotopes and Transgenic Works, Oi Futuro, Rio de Janeiro, Brazil (01/25 – 03/30) 2018. Programmed: Rules, Codes, and Choreographies in Art, 1965–2018, The Whitney Museum of American Art (09/28/18 – 04/14/19) 2024
In 1929, when the Metropolitan Museum of Art rejected Whitney's offer of the gift of nearly 500 new artworks that she had collected, Whitney established the Whitney Museum of American Art. [12] In 1931, she had architect Auguste L. Noel of the firm of Noel & Miller convert the three row houses at 8–12 West 8th Street into a gallery and ...
Pages in category "Paintings in the Whitney Museum of American Art" The following 21 pages are in this category, out of 21 total. This list may not reflect recent changes .
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The Whitney Museum had a long history beginning in 1932 of having a large group exhibition of invited American artists every year called the 'Whitney Annual'. In the late sixties, it was decided to alternate between painting and sculpture, although by the 1970s the decision was to combine both together in a biennial. [2]