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Wicked: The Original Motion Picture Score is the film score composed by John Powell and Stephen Schwartz for the 2024 film Wicked by Jon M. Chu, the first of the two-part film adaptation of the stage musical of the same name by Schwartz and Winnie Holzman. It was released by Republic Records on December 6, 2024.
Wicked: The Untold Story of the Witches of Oz, or simply Wicked, is a musical with music and lyrics by Stephen Schwartz and a book by Winnie Holzman.It is loosely adapted from Gregory Maguire's 1995 novel Wicked: The Life and Times of the Wicked Witch of the West, which in turn is based on L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 film adaptation.
Wicked: The Soundtrack is the soundtrack album to the 2024 film Wicked by Jon M. Chu, the first of the two-part film adaptation of the stage musical of the same name by Stephen Schwartz and Winnie Holzman.
The Music of ‘Wicked’: Stephen Schwartz and Arranger Stephen Oremus on What It Took to Make a Classic Broadway Song Score Even More Popular. Chris Willman. December 31, 2024 at 1:30 PM.
Wicked (titled onscreen as Wicked: Part I) is a 2024 American musical fantasy film directed by Jon M. Chu and written by Winnie Holzman and Dana Fox.It adapts the first act of the 2003 stage musical by Stephen Schwartz and Holzman, which was loosely based on Gregory Maguire's 1995 novel, itself a reimagining of the Oz books and the 1939 film The Wizard of Oz.
"Defying Gravity" is a song from the musical Wicked, composed by Stephen Schwartz. It was originally recorded on November 10, 2003, by American actresses Idina Menzel and Kristin Chenoweth, who portrayed Elphaba and Glinda in the musical respectively.
Stephen Lawrence Schwartz (born March 6, 1948) is an American musical theatre composer and lyricist.In a career spanning over five decades, Schwartz has written hit musicals such as Godspell (1971), Pippin (1972), and Wicked (2003).
The basic tune was originally written by Stephen Schwartz, in the early 1970s. [8] [9] He used it in Wicked as the opening theme, and the basis for the only love duet in the musical and, for this reason, he wanted a sensual and passionate score, but also aggressive and "dark". [6]
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