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The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]
The church was run by Brother Burl Stephens (with whom Jones would credit as co-writer of several songs on his 1959 gospel album Country Church Time) and Sister Annie, who George remembered "taught me my first chords on the guitar, like C, G, and D and things like that, and I started hangin' out over there more often. She'd get her guitar and ...
"Come to Life" is a gospel song. [1] The instrumental features cascading, overlapping pianos and guitar chords. [2] A sample of David Paul Moten's sermon is heard at the beginning, with it being used throughout the song. Moten later claimed that West and his team did not seek permission to use the sample prior to the song's release.
This Train", also known as "This Train Is Bound for Glory", is a traditional African-American gospel song first recorded in 1922. Although its origins are unknown, the song was relatively popular during the 1920s as a religious tune, and it became a gospel hit in the late 1930s for singer-guitarist Sister Rosetta Tharpe . [ 1 ]
"Death Don't Have No Mercy" is composed with words and music by Davis. It features techniques of arrangement and performance from his gospel songs, alongside his style of blues guitar. [20] Davis' guitar accompaniment for the song is a relatively simple chord progression, performed in the key of G-flat major.
The Two Gospel Keys recorded "You've Got to Move", which was released on a 78-rpm record in 1948. [1] Emma Daniels (vocals and guitar) and Mother Sally Jones (vocals and tambourine) comprised the gospel music duo. [2]
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